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Prometheus’ fire and self-defense

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January 6, 2013 in Guns


Prometheus watches Athena endow his creation with reason, 1877

When Prometheus ‘stole’ fire from Heaven, in the story Zeus was not angry because people shouldn’t defend themselves –he was furious because Prometheus had disregarded Zeus’ wisdom. Zeus knew that the wicked would take the power and use it to further their own ends, leaving the vulnerable even more exposed to tyranny.

As the globalists and their minions move to take firearms away from the public they should consider this fact: No amount of technology will ever, ever, allow them to ascend to become Gods.

They should heed the story of Icarus; his wings were material and would be as nothing to the glory of the heavens. Ascendant beings, angels –their wings are part of God Himself. They are given by His authority only.

Lament for Icarus, 1898

You cannot build a Tower to the Heavens. You cannot buy entrance. No amount of resources will allow you to achieve it because He will not allow it.

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3 responses to Prometheus’ fire and self-defense

  1. F*** the nwo.

    The Freemasons founded the United States. Actions speak louder than words. I don’t know anything about them but if Malachi has anything to say about it: the people of the United States are the people of the covenant. Deal with it.

    Go worship the great deceivers at their Tower of Babel.

  2. Prometheus was a titan….
    In the 20th century, the vast wealth of the Rockefeller family was put to use building the monolithic Rockefeller Center, the United Nations and the World Trade Center in New York City. Each building complex is suffused with occult symbolism and meaning. When one analyzes the artwork associated with these structures, their design and purpose are clearly Luciferian.

    The Rockefeller Center

    In the Sunken Plaza of the Rockefeller Center is a golden statue of Prometheus, a Titan of Greek mythology. He betrayed Zeus, the Father of the Gods, by stealing fire and giving it to mankind. Behind the gilded statue, etched in granite, are the following words:

    “Prometheus, teacher in every art, brought the fire that hath proved to mortals a means to mighty ends.”

    The statue is circled by the insignia of the astrotheological occult—a visual depiction of the twelve signs of the zodiac.

    Master occultist and founder of Theosophical Society Helena Petrovna Blavatsky wrote of Prometheus in The Secret Doctrine:

    The allegory of the fire of Prometheus is another version of the rebellion of the proud Lucifer (“light-bringer”), who was hurled down to the bottomless pit, or simply unto our Earth, to live as man. [1]

    Here she refers to the fallen Titan as one who transforms man into a God:
    Hence the allegory of Prometheus, who steals the divine fire so as to allow men to proceed consciously on the path of spiritual evolution, thus transforming the most perfect of animals on earth into a potential god, and making him free to “take the kingdom of heaven by violence.[2]

    Blavatsky also promoted in The Secret Doctrine (Hitler’s favorite book) the lie that Prometheus, the symbolic representation of the devil, is not an adversary to mankind, but a benefactor:

    Prometheus is not a criminal, save in the eyes of the gods. In relation with Earth, he is, on the contrary, a god himself, a friend of mankind, which he has raised to civilization and into the knowledge of all the arts.[3]

    Revelers and tourists have congregated, even ice skated, before this symbol of the devil for decades. Additionally, above the statue rests a visual representation of all High Masons and occultists fervent dreams—the national flags of all the worlds countries formulated into a New World Order, under the rule of the Fallen One.

    David Rockefeller himself said:

    “Some even believe we are part of a secret cabal working against the best interests of the United States, characterizing my family and me as ‘internationalists’ and of conspiring with others around the world to build a more integrated global political and economic structure – one world, if you will. If that is the charge, I stand guilty, and I am proud of it.” [4]

    In another location in the Rockefeller Center resides the statue of Atlas, another of the Titans from Greek mythology. The bronzed figure has his arms wide, holding up the vault of heaven. Atlas has been forced to carry the celestial world on his shoulders because he rebelled against Zeus, father of the Gods and Man.

    Again, this allegorical representation of Lucifer is surrounded by the twelve signs of the zodiac. In classical European architectural tradition, an atlas is a temple support sculpted in the form of a man, which may take the place of a column, a pier or a pilaster.

    The World Trade Center

    Built on high-priced land in lower Manhattan, the World Trade Center (WTC) contained a statue central to the purpose of the building. The Great Spherical Caryatid rested between the two 110 story pillars of the WTC, built to promote the breakdown of national sovereignty through supranational economic agreements.

    The sculpture is not a caryatid in a plain sense—a caryatid is a sculpted female figure serving as an architectural support taking the place of a column or a pillar supporting an entablature on her head. The use of the descriptive term caryatid promotes the understanding that the WTC is no mere building, but a temple complex. Moreover, bronze is a metal alloy consisting primarily of copper, usually with tin as the main additive. The use of this metal suggests the bonding together of opposites, or different substances—the stated purpose of the building was to bind together nations under supranational economic agreements.

    David Rockefeller has committed his life to the propagation and installment of supranational economic agreements. Of a future world order, David Rockefeller said:

    “The supranational sovereignty of an intellectual elite and world bankers is surely preferable to the national auto-determination practiced in past centuries.” [6]

    An artwork entitled Oculus (Eye) was placed in the Chambers Street/World Trade Center station complex under the WTC. The centerpiece of the work is an elliptical glass and stone mosaic floor, with a mosaic eye at the center of an ultramarine vortex with the image of the City of New York woven into the picture.

    One meaning of the word occult means to eclipse, as when the moon obscures the sun during a total eclipse. Oc is also the root of the Latin word for eye – oculus. Oculus and occult share the same root word in Latin. In the occult, the single eye also refers to the Eye of Horus, a representation of Lucifer.

    The United Nations Building

    Inside the United Nations Building rests the Meditation Room. Inside of the dimly-lit room rests an iron ore altar. At the far end of the room rests a modern art mural. The Meditation Room and the mural contains a vast number of occult, esoteric meanings.[7]

    There are 72 geometrical figures (and shadings) in the mural. The number 72 is a very important number in the occult. The Lesser Key of Solomon, or the Goetia (meaning howling) concerns the conjuration of the seventy-two evil spirits as defined by King Solomon, son of David:

    ‘Now this Book containeth all the Names, Orders, and Offices of all the Spirits with which Solomon ever conversed, the Seals and Characters belonging to each Spirit, and the manner of calling them forth to visible appearance.’ [8]

    There are other symbolic representations to Luciferianism:

    The mural, if viewed from the top, or the roof, overhead of the Meditation Room, is…is the truncated top of a pyramid. Behind the mural is a smaller pyramid…which contains the eye, the all-seeing eye of Lucifer.[9]

    In sum, the defining purpose of each building was to lay a foundation for the construction of a Luciferian global political structure. These three building complexes, financed and implemented by the Rockefeller family, were created not as mere modern towers, but also designed and decorated as modern temples, symbolically dedicated to the Luciferian doctrine of a New World Order.

    William Ramsey occult911@gmail.com

    Author: Prophet of Evil: Aleister Crowley, 9/11 and the New World Order

    Writer and Director of the new film: Prophet of Evil: Aleister Crowley http://www.occult911.com

    [1] The Secret Doctrine, Vol. II, pg. 212.

    [2] The Secret Doctrine, Vol. II, pg. 218.

    [3] The Secret Doctrine, Vol. II, pg. 469.

    [4] Rockefeller, David (2002). Memoirs. Random House.

    [5] David Rockefeller, Wall Street Journal. October 1, 1993

    [6] David Rockefeller, June 19, 1991. Bilderberger Meeting in Baden, Germany.

    [7] See William Cooper’s Mystery Babylon series, number 31: The United Nations Meditation Room.

    [8] The Lesser Key of Solomon, or the Goetia (1889)

    [9] Mystery Babylon, Part 31: United Nations Meditation Room (Aired October 22nd, 1993)

    • There are so many creepy occult freaks in the world, that Helena seems to pop up quite often. Just because some [bleepin bleep] says something about something and Hitler likes what she says… should not give her much if any authority. In fact it should take it away from her.

      It’s interesting to read about the polarity even regarding the Prometheus deity. He is on one side revered as a creator of man, who stole from God to empower humanity… but on the other side, this would seem to be something the satanists would relish –that he could fool and usurp God.

      I’m not a scholar though and I’m sure there are plenty smarter people who know more than me about all this stuff… but Icarus and Prometheus represent the dangers of conceit and over-extending oneself. One was through a willful act, the other through ignorance –both ended in serious consequences, regardless.

      The answer to all the dis-/mis-information: Fear God and submit to His will and don’t be like the satanist / nephilim thinking you can put yourself on-par with the Creator.

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